🕯️ Ghulamrezakhan Arkawazi (c. 1765–1834): The Ascetic Poet of Pish-e Kuh
- Daniel Rasul

- Dec 23, 2025
- 6 min read
Ghulamrezakhan Arkawazi was a significant Kurdish poet and ascetic from the late 18th and early 19th centuries, known for his distinctive blend of social realism and Sufi mysticism. Hailing from the Pish-e Kuh region near Khorramabad, which is part of modern-day Iran, his life was marked by privilege, profound intellectual engagement, political conflict, and ultimate seclusion. Arkawazi holds a special place in the literary history of the region for his mastery of both the Feyli and Gorani dialects, making him a crucial figure in the evolution of Kurdish literature.
🌄 Early Life, Roots, and Education
Arkawazi was born around 1765 CE in the village of Ban-e Vizeh near Ilam. His family belonged to the Arkawazi tribe, a well-regarded group in the area, and were adherents of Shia Islam, a common denomination in that part of Kurdistan.
Aristocratic Background and Linguistic Mastery
Family Status: Arkawazi grew up in a comfortable, aristocratic environment. His father, Hasan Bag, held the influential title of Khan, suggesting the family possessed wealth and local power. This privileged upbringing provided him with the resources for advanced education, which was rare at the time.
Linguistic Heritage: He was a native speaker of Feyli (also known as Pahlavani), a Southern Kurdish dialect. Crucially, he was also proficient in Gorani, which held the status of the literary and administrative language across the Pish-e Kuh region, much like a lingua franca for Kurdish poets and scribes. Writing in both dialects allowed him to reach a broad audience and contribute to two distinct literary traditions.
Intellectual and Spiritual Development
His intellectual journey led him away from his home region to the holy city of Najaf (in modern-day Iraq), a major center for Shia theological and mystical learning.
Advanced Studies: The documents and historical accounts related to his life indicate that he became well-versed in contemporary theological and mystical disciplines, including irfan (gnosticism/Sufism) and Islamic jurisprudence. This religious training laid the foundation for the deep mystical themes that permeate his poetry.
The Title: The aristocratic title Ghulamrezakhan itself suggests a certain social standing, which he later seemed to reject in favor of an ascetic life.
👑 Conflict with the Ruler and Imprisonment
Despite his high social standing and intellectual acclaim, Arkawazi’s life took a dramatic turn marked by conflict with the regional authority.
"That Lord of Poets"
Initially, Arkawazi was held in high regard in his home region. The ruler of Pish-e Kuh, Hasan Khan, recognized his talent, describing him as "[T]hat lord of poets." This respect confirms his literary prominence at the height of his career.
The Rivalry and Imprisonment
However, this amicable relationship deteriorated into a bitter rivalry. While the exact reasons are shrouded in history, two main factors are suggested for the conflict:
Rejection of Patronage: Arkawazi, perhaps guided by his growing asceticism and spiritual independence, reportedly refused to accept prizes or patronage gifts from Hasan Khan. For a regional ruler, this rejection would have been a significant political slight.
Social Critique: It is also theorized that Arkawazi's poetry, which focused on the misery and well-being of the lower classes of Kurdish society, implicitly criticized the oppression and injustices perpetrated by the ruling elite, including Hasan Khan.
The rivalry worsened to the point that Arkawazi was deemed an enemy of the Khan and subsequently imprisoned. He spent several years in incarceration, a harsh experience that undoubtedly deepened his sense of isolation and provided raw material for his later, more melancholic works.
🖋️ Poetry: Mysticism, Grief, and Social Conscience
After his release from prison, Arkawazi left his native lands and settled in Kerend-e Gharb (in modern Kermanshah Province, Iran), where he lived in seclusion as an ascetic until his death around 1834. His poetry reflects the trajectory of his life: an initial period of intellectual discovery followed by profound personal tragedy and spiritual contemplation.
Themes and Style
Arkawazi's poetic style is marked by its simplicity and directness. Despite his aristocratic roots, his subject matter strongly favored the concerns of ordinary people:
Social Realism: His works focused on the well-being and the misery of the Kurds, offering an unsentimental view of their daily lives and challenges.
Mysticism and Asceticism: Stemming from his Najaf education and his life in seclusion, mysticism became a major theme. His poetry explores the spiritual journey, the search for the divine, and the detachment from worldly concerns.
Nostalgia and Isolation: The feeling of nostalgia for his homeland (Pish-e Kuh) and the isolation of his years in prison and seclusion are recurrent, poignant themes.
Key Literary Works
His extant works are foundational texts in the Feyli and Gorani literary traditions:
Work Name | Language/Form | Theme and Significance |
Munacatname | Mystical Mathnawi (24 bands, 666 verses) | A long narrative poem focused on prayer and supplication (munajat) to the Divine. It is the clearest expression of his developed mystical and theological thinking. |
Baweyal | Elegy (Baweyal is also a regional elegy form) | A deeply personal and famous poem written about the tragic death of his son, Ahmad Khan, known as Kelwelay, who died young from a snake bite. Baweyal remains widely popular in Ilam and has many different versions recited in the region. |
Xurbet | Poem | Written after his move to Kerend-e Gharb, this poem deals with the themes of exile, loneliness, and separation from his home and loved ones. |
Zilixam Şûran / Zilixam Jeçîn | Lyric Verse | These are examples of his lyric poetry, likely dealing with themes of love, longing, and spiritual intoxication—classic themes in Sufi poetry. |
The fact that few people attended his funeral in 1834 underscores the profound seclusion he chose in his final years, a quiet ending for a man who had been the subject of both aristocratic favor and powerful political rivalry.
🌐 Legacy in Kurdish Literature
Ghulamrezakhan Arkawazi's contribution cemented his place in Kurdish literary history:
Preservation of Feyli: By writing extensively in the Feyli dialect, he gave it literary status, ensuring its continuity and richness alongside the more established Gorani.
Bridge to the People: His focus on the suffering and simple lives of the lower classes established a tradition of socially conscious poetry in the region.
The Barometer of Regional Culture: His life—from the court to the prison to the hermitage—offers a unique lens through which to view the cultural, political, and spiritual climate of the Pish-e Kuh region during the turbulent transition period between the Zand and Qajar dynasties in Iran.
📚 References for Ghulamrezakhan Arkawazi (c. 1765–1834)
The study of Ghulamrezakhan Arkawazi relies heavily on Kurdish literary histories, biographical dictionaries of Persian-language poets, and academic works focused on Southern Kurdish literature and the Feyli and Gorani dialects. As a figure from the early Qajar period in a regional context, much of the scholarship is found in specialized regional or linguistic texts.
Here is a list of relevant sources and categories for further research:
I. Kurdish Literary Histories and Anthologies
These works are essential for establishing Arkawazi's literary status and preserving his poems:
Marf Khaznadar (مارف خەزنەدار). Mêjûy Edebî Kurdî (History of Kurdish Literature).
Significance: Provides a comprehensive overview of Kurdish literary figures, including Arkawazi, his works in Gorani and Feyli, and his place within the Southern Kurdish literary tradition.
Abolhasan Tahiyeh (ابوالحسن تهیە). Ghulāmriḍā Khān-i Arkawāzī: Sharḥ-i Aḥvāl wa Athār (Ghulamrezakhan Arkawazi: Biography and Works).
Significance: This is often cited as a key specialized text on Arkawazi, collecting biographical details and analyzing his poetic output, including his famous elegy, Baweyal.
Studies on Southern Kurdish Dialects (Feyli and Gorani): Linguistic and literary analyses of the Gorani and Feyli dialects that use Arkawazi's poetry as a primary source for understanding the language and its poetic forms of the 18th and 19th centuries.
II. Regional and Iranian Historical Sources
These sources help contextualize his life within the political landscape of the Pish-e Kuh region (Luristan/Ilam) under the Qajar dynasty:
Historical Works on Luristan and Ilam: Texts detailing the history and the ruling families (Khans) of the Pish-e Kuh region during the late Zand and early Qajar periods. These accounts can offer context for his rivalry with Hasan Khan.
Biographical Dictionaries of Iranian Poets: General tazkirahs (biographical anthologies) of Persian and regional poets may contain entries on Arkawazi, particularly due to his prominence and the use of the regional literary language, Gorani.
III. Academic Articles
Modern scholarship, often published in academic journals, attempts to analyze the themes of his poetry:
Articles on Mysticism in Kurdish Poetry: Research that explores the presence of Sufi (irfani) themes in the literature of Southern Kurdistan, where Arkawazi's Munacatname and other mystical verses are studied.
Studies on Elegy (Baweyal) in Kurdish Culture: Academic analyses of the Baweyal form of poetry, highlighting Arkawazi's contribution to this important regional tradition of grief and mourning.




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